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Saturday Panel Discussion to Focus on Paramount Records, Steve Ostermann 2005, Ozaukee Press

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This article was originally published in the Ozaukee Press and then on paramountshome.org with permission.  Thank you to archive.org for saving a copy!

More links of interest……

Historical Consultant

Embracing the Legacy of the Blues

Detectives Show Has Eyes on Grafton

 

Saturday Panel Discussion to focus on Paramount Records – 11/29/2005
Saturday panel discussion to focus on Paramount Records

By STEVE OSTERMANN
Ozaukee Press staff

Five experts on Grafton’s Wisconsin Chair Co. music studio, which during the 1920s and early ’30s produced more than one quarter of the blues recordings in the United States, will participate in a panel discussion Saturday, Oct. 1, at the Cedarburg Cultural Center.

The event, from 3 to 4:30 p.m., is part of the center’s “Paramount Studios Blues Strut” and will precede an evening concert by nationally known blues artists Fruteland Jackson and Ann Rabson.

Members of the panel will be Mike Hatfield, one of the first researchers into Paramount Records’ rise as an offshoot of the chair company; Alex van der Tuuk, author of the critically acclaimed book “Paramount’s Rise and Fall: A History of the Wisconsin Chair Company and its Recording Activities”; Jim Van Drisse of the Wisconsin Blues Society, a blues historian who has interviewed people associated with the Grafton studio; Angela Mack, a musician and teacher with North Shore Academy of the Arts in Grafton who has initiated efforts to educate people about the studio; and Michael “Hawkeye” Herman, an internationally known blues musician and educator.

Herman will also perform in a 7:30 p.m. concert Friday, Sept. 30, at the North Shore Academy, 1111 Broad St. The concert will be the first of three shows in the “Embrace the Legacy” series presented by Grafton Area Live Arts.

The panel discussion is free and open to the public.

As part of the center’s “Blues in the ‘Burg” concert series, Jackson and Rabson will perform classic blues music as it was recorded at the Grafton studio.

Jackson is an award-winning acoustic guitarist and oral historian who has performed at blues festivals and in concerts throughout the United States.

Rabson is considered one of the world’s finest barrelhouse blues pianists and has released three acclaimed solo albums that showcase her instrumental work and keyboard prowess.

Tickets for the Saturday concert are $20 in advance, $22 at the door and $5 for students.

The center is at W62 N546 Ave. For more information, call 375-3676.

The “Embrace the Legacy” concert series will also include 7:30 p.m. Friday shows by the Greg Wessel Band on Oct. 14 and Norrie Cox on Oct. 28.

Advance tickets are $25 for the series or $10 per show. Admission at the door will be $16.

For more information, visit the Web site www.GraftonAreaLiveArts.org or call 377-5308.

Updated  Tuesday, November 15, 2005    Written by Steve Ostermann    223  reads>>> Browse archive for this topic

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keynote speaker on creativity

Embracing Grafton’s Blue Legacy by Steve Ostermann 2005, Ozaukee Press

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This article was originally published in the Ozaukee Press on August 4, 2005 then posted with permission on paramountshome.org

More Links of Interest…..

Early discussion at the Cedarburg Cultural Center

Embracing the Legacy of the Blues

Grafton Wisconsin History

 

Embracing Grafton’s blue legacy – 08-04-2005
Music teacher’s quest to acknowledge village’s role in music history leads to concert series, programs
Photo by Vern Arendt

By STEVE OSTERMANN
Ozaukee Press staff

(Reprinted with the permission of Steve Ostermann and the Ozaukee Press)

When Angela Mack moved to her Falls Road residence in Grafton eight years ago, she had no idea her home was just up the road from a landmark site in American music history.

More than 70 years ago, blues artists from the deep South journeyed to Grafton to record tunes at a studio in the Wisconsin Chair Co. factory near the northeast corner of what is now Falls Road and 12th Avenue.

The studio years didn’t last long — from 1929 to 1932 — but the sessions for Paramount Records yielded dozens of classic performances by blues legends such as Charley Patton, Son House, Skip James, Blind Blake, Willie Brown, Louise Johnson and Big Bill Broonzy.

In addition to blues music, the studio recorded hundreds of artists in other genres ranging from ethnic folk to dance band music.

“I was astounded at what I found out,” said Mack, a composer and music teacher with the North Shore Academy of the Arts in Grafton. “It was amazing to think this happened in our town, and that so many people are not even aware of it.”

Mack, who first heard of Grafton’s Paramount connection from a record collector hunting for rare 78-rpms three years ago, has learned much about the chair company’s role in early recorded blues. The knowledge was not only intriguing, but it inspired her to spread the word.

“At first I was just mad that this wasn’t being acknowledged,” Mack said. “I was bound and determined to find out as much as I could and get something done.”

Mack talked to village officials, business people and civic leaders and eventually struck a chord with Barb Krause, one of the founders of Grafton Area Live Arts. The group, established in 2001 to bring music and other live performances to the community, has presented a variety of concerts, including a popular summer series at Veterans Memorial Park.

It didn’t take long for Krause to buy into Mack’s idea of creating a musical tribute to Grafton’s record-making role.

The result is “Embrace the Legacy,” a concert series featuring popular blues, jazz and rock artists that will debut this fall at the North Shore Academy, 1111 Broad St.

“I thought it would be a great way for people to learn about the history of Grafton through music,” Krause said. “I’m hoping we can make it an annual event.”

The series, presented by GALA in cooperation with the academy, will include three concerts in the Timothy Wooden Building, which is only a few blocks from where the chair company factory once stood.

The Sept. 30 opener features Michael “Hawkeye” Herman, a nationally known blues performer and educator who will also talk about Grafton’s often-overlooked role in the recording industry and the musicians who came here.

The series, sponsored by Grafton State Bank, continues Oct. 14 with the Greg Wessel Band, which will perform blues, rock and jazz, and concludes Oct. 21 with New Orleans jazz musician Norrie Cox and his band.

The day of his concert, Herman will also present a program on local blues history to students at Grafton’s three public elementary schools.

Although the focal point of the “Legacy” series is blues, the shows will present a variety of music, Mack said, to underscore the influence blues has had on other forms of expression.

“Hawkeye has a song that says, ‘Blues had a baby, and they called it rock ’n’ roll,’” she said.

“American blues has it roots in the Mississippi Delta, but it has influenced so many other types of music. That’s something everyone can appreciate.”

Mack’s effort to share the village’s blues legacy extends to other venues, as well. She will teach a three-class workshop, “Grafton’s Paramount History,” at the academy from 6 to 7 p.m. Fridays, Sept. 9, 16 and 23.

Designed for students ages 10 and older, the workshop will give participants a chance to hear and learn about blues legends in Grafton, write and play blues songs and take a field trip to the site of the chair company factory, which was razed in the late 1930s. The fee is $40.

On Oct. 1, Mack will be part of a panel discussion of Paramount studios at 3 p.m. at the Cedarburg Cultural Center.

The program, which includes a slide show, will precede a 7:30 p.m. blues concert at the center featuring Fruteland Jackson and Ann Rabson. The musicians will perform 1920s and ’30s blues as it was recorded in Grafton.

Since Mack began exploring Grafton’s music history, she has talked with and met a number of musicians and authorities, including Dutch author Alex van der Tuuk, whose award-winning book “Paramount’s Rise and Fall” was published in 2003.

She and van der Tuuk have created the Web site www.paramountshome.creativeconnectionarts.com.

“When I first started learning about the blues in Grafton, it amazed me that it took someone to come here from Holland and write a book about our history,” Mack said.

“Hopefully, what we’re doing here now will make a difference by letting people know what we had.”

Updated  Thursday, August 04, 2005    Written by Steve Ostermann    293  reads

Global Gratitude for Research on the Death of Arthur “Blind” Blake

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Arthur Blind Blake’s Death Certificate Finally Found!

by Angela Mack

April 2011 originally published on her old website/blog sociofocus.com

Please refer to the Blues & Rhythm article published in issue #263 called, “IN SEARCH OF BLIND BLAKE Arthur Blake’s death certificate unearthed” by Alex van der Tuuk, Bob Eagle, Rob Ford, Eric LeBlanc and Angela Mack.  The authors are also working on a follow up article…..

Responses from around the world…….

“Absolutely amazing. Blake has always been such a mystery over the years. To me, this has to rank as one of the top discoveries in blues research ever, period.  –Weenie Campbell Forum Member

“That sounds like THE BIGGEST BLUES NEWS for years !!!” –Blindman’s Blues Forum Member

“I await my copy with bated breath!” – Blindman’s Blues Forum Member

“Very, very, VERY nice work.  Thanks to all involved for bringing this to light.” –Weenie Campbell Forum Member

“In country blues terms I think this find is of the same magnitude as that of, say, Calt and Wardlow tracking down the history of Blind Joe Reynolds together with two photos (c1947 & c1964) which they published in Blues Unlimited 146, Autumn Winter 1984.” –-Weenie Campbell Forum Member

“Thank you and congratulations, to all those who persisted in breaking down the brick walls beneath which information about Blind Blake’s life and death were hidden, revealing information that has been unknown for the better part of a century.  It is a major accomplishment which enriches the legacy of the man, and very exciting news for his fans – wherever they are.”  –Weenie Campbell Forum Member

“Just received the new issue of Blues & Rhythm with the promised article.  Full details of Blake’s death (in 1934) with Death Certificate and Autopsy Report. Site of his grave and details of his widow’s death. No guesswork – real results from excellent research.  A must read article.”  –Weenie Campbell Forum Member

“WOW what a find. Excellent blog of your experience. Felt like I was right with you.” – Blindman’s Blues Forum Member

“OK, if somebody ever asks me why I hang around this forum, I think this very thread alone – actually many of the discussions here – would be a good enough answer !”  – Blindman’s Blues Forum Member

“I love reading about our Blues Brothers…Thank you Angie Mack for doing what you do! Talk about “HISTORY” ..Kudos! –”Barb”

“oh Jesus. The amazing discovery.  The biggest discovery of the Blues.” –A.K.

“This is undoubtedly the finest moment in blues history since the discovery of the first Robert Johnson photo. It is far more significant, though because it solves the mystery of where, how and when the greatest fingerpicker in American music history met his end. Congratulations on your diligence and dedication in finding the solution to this ancient puzzle!” –Joel, comment on http://sociofocus.com

“This is amazing – there had been theories that his name was Phelps, or that he died in Florida. This man was one of the greatest American musicians of the 20th century.” –Organissimo Forum Member

“He needs a proper headstone, maybe with that Paramount publicity shot.  And Angie, congratulations to you and your colleagues for solving the mystery.” –Weenie Campbell Forum“wow, this is great, Thanks to all who found this out, How about a Blake fest at the site?  I’ll be there.” –Weenie Campbell Forum Member

“You have achieved a wonderful outcome. That’s a heroic achievement following of the moon landing.The truly great achievement. It was then worried about the Blake. Now I know his life, a little sad, and very happy.This story is over Indiana Jones.Cheers!!!!”

Angie in Japanese Magazine
Angie in The United Kingdom of Great Britain and Northern Ireland magazine
Angie in Dutch Blues Magazine

Community Guided Paramount Walking Tour with Angie Mack Reilly

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Contact angie@ozaukeetalent.com

Facebook post courtesy of Celebrate Grafton

It’s Good to Be Home (from the archives)

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It’s Good to Be Home by Angela Mack

Peformed at Spirit Life Church in Mequon, WI

Keys/Lead Vocals:  Angela Mack

Background Vocals:  Lori Wilke,  Tracy Martin, Beth Hammond

Drums:  Tom Wilke

Percussion:  Chris Musbach

Guitar:  Jay Walls, Karen unknown

Bass:  Ron Bush

Tin Whistle:  Monica Radzin

43.2159232-88.0314174
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music history

Angie in Book by Award-Winning Music Journalist and Author Jas Obrecht

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Purchase Early Blues:  The First Stars of Blues Guitar

43.3206839-87.9433507

Be True

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WARNING:  This book of poems which came from Angie’s journals over the years contains adult content and is not intended for children  Rated R

Order Here

Embracing The Legacy Of The Blues / From the South To The North by Michael "Hawkeye" Herman Part 2. Grafton, WI and Paramount Records

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Embracing The Legacy Of The Blues / From the South To The North
By Michael “Hawkeye” Herman
www.HawkeyeHerman.com
Part 2. Grafton, WI and Paramount Records
originally published in the international BLUES FESTIVAL GUIDE 2006
also published at http://www.hawkeyeherman.com/articles.htm
History, dreams, meaningful coincidences, timing, synchronicity, networking, and the blues, can come together to transform a community.
Grafton, Wisconsin is a town of 11,000 inhabitants approximately 25 north of Milwaukee on US 43. In recent years, the town has struggled with its identity in the shadow of nearby communities that had achieved status, economic growth, and recognition as tourist destinations as a result of capitalizing on their local history. Port Washington, a few miles to the northeast, has a long, colorful history as a Great Lakes port and has a restored downtown nestled against a lovely harbor. Cedarburg, just a few miles to the southeast, draws throngs of weekend tourists who walk the main street spending their dollars in shops, restaurants, and galleries that are housed in carefully maintained 19th Century Americana buildings. Grafton has long been considered an anonymous working class town that you have to drive through in order to get to and from Port Washington and Cedarburg. How could Grafton, with seemingly little local history to promote beyond the legacy of the lime kilns in Grafton’s Lime Kiln Park, find its identity, capitalize on it, and step out into the sunlight with its own sense of civic pride?
Angela Mack is a musician/music teacher who moved with her family to Grafton from Madison, WI in 1996. She has a passion for African American culture, music history, and a desire to bring arts to her new home community. A few years ago, she received a letter from a record collector. The letter had been sent to many Grafton residents. It was from a record collector who was in the area looking for old Paramount 78 rpm records. This was the first time she had heard about the Paramount Records that were produced and recorded in Grafton. She didn’t believe it, thought it was a chain letter, and threw it away. Later, she was researching Grafton history on the Internet, and sure enough, it was true. There had been a very important and influential record production plant, Paramount Records, in Grafton.
Angela became obsessed with knowing more about the history and importance of Paramount. The more she learned, the more confused she got. “Why wasn’t this a big deal in Grafton?” She became intrigued with finding out the history of Paramount Records.  Embracing The Legacy Of The Blues / From the South To The North Angela found that Grafton was more than just a footnote in America’s musical history. In the early 20th Century The Wisconsin Chair Company in nearby Port Washington manufactured furniture. The manufacturing of wooden furniture led the company into the production of wood cabinets for record players. The production of the record cabinets led them to produce Paramount Records in cooperation with New York Recording Laboratories (NYRL). Under the Paramount label, they released a continuous flow of jazz, gospel, and outstanding blues recordings. The blues recordings were marketed under the Paramount 12000/13000 “race” series. Between 1929 and 1932, NYRL operated a recording studio in Grafton. The host of seminal blues artists whose music was released on the Paramount label includes Ma Rainey, Ida Cox, Blind Blake, Blind Lemon Jefferson, Charley Patton, Son House, Skip James, Willie Brown, Louise Johnson, King Solomon Hill, The Mississippi Sheiks, Tommy Johnson, Henry Townsend, and many others. Paramount released twenty-five percent of the blues recordings that were marketed during this era, and dominated the blues marketplace. Due to the stock market crash and failing economy during the Great Depression, Paramount began to decline. They ceased recording studio activities in mid 1932, although they were able to ship records until late 1933. Paramount then went out of business.
Now Angela understood why she had received a mass-mailed letter from a record collector seeking old Paramount 78s. Vintage blues enthusiasts and collectors get very excited at the prospect of acquiring old Paramount recordings. Those old 78s are the most sought after of blues recordings. They can be sold at auction for large sums of money. Finding a previously thought to be ‘lost’ Paramount record is a milestone in the life of a record collector, as well as a milestone in the documentation of American music history. In the words of Paramount Records historian, Alex van der Tuuk, “The importance of the record company and its studio cannot be underestimated. Charley Patton is considered King of the Delta Blues, partially based on his recorded output recorded in Grafton.”
The flames of Angela’s passion for African American culture, music, and history were fanned and the Grafton link to Paramount was just the catalyst that was needed to put her interests into action. She spent time at the old Paramount factory location watching the Milwaukee River tumble over the rocks, musing over the last few brick remains of the foundation of the building, and re-read the small roadside sign that marked the historic site. Later, the idea that there should be a blues festival in Grafton at Lime Kiln Park to honor the legacy of Grafton and the blues came to her in a dream.
She took her idea for a blues festival to the Village officials. Village President, Jim Brunnquell, says, “It took several more communications from Angela before I truly realized what a historical treasure the Village possessed.” He was now intrigued by the idea. Grafton was in the middle of a major downtown redevelopment effort. In addition, they were looking at marketing tools to attract and retain business. One quality that was needed was an identity, a hook, or concept that they could build their presence.  The ‘lost’ legacy of Paramount Records just might be the keystone that was needed to achieve all of these municipal goals. Brunnquell pursued the concept with Village officials, and he pointed Angela to the Grafton Jaycees for the possible production of a blues festival.
In early 2005, she got in touch with Alex van der Tuuk, author of “Paramount’s Rise and Fall, A History of the Wisconsin Chair Company and its Recording Activities.” Via very long distance, (van der Tuuk lives in the Netherlands), he offered Angela input, information, and moral support. Alex suggested that Angela’s husband, Patrick, start a Paramount web site to gain support from others and to begin networking. They got the web site up and running, and Alex and Angela doggedly started doing outreach to everyone they knew.
At this point, Angela posted a message online at The Blindman’s Blues Forum seeking advice, guidance, and support for her efforts to raise the Paramount/blues consciousness in Grafton. This writer saw her post on that forum, took a great deal of interest in her cause, and responded. I began advising and mentoring her toward her goals. Little did I know at that time how involved I would be in the Grafton/Paramount process, and how far all of these projects would progress in less than a year.
Meanwhile, local chef/restaurateur, Joe Krupski, was planning for a restaurant somewhere in the downtown area of Grafton. He was aware that there was a market need for dining in that area. His eyes kept turning towards a building sitting on the corner of Wisconsin Avenue/12th Street and Bridge Street–right in the heart of downtown Grafton. The building at 1304 – 12th Avenue had been vacant for quite some time, so he figured the owner would be very open to any idea that might work. He began constructing a business plan around this building in November 2004. He learned from the owner that the building was the first county courthouse and that it was nearly 160 years old–the oldest commercial building still standing in Grafton. He became interested in learning more about the building so that he could incorporate that into his business plan. He visited the public library in Grafton to do research. While looking through the Grafton archives, he noticed a few statements about a record company that existed in Grafton. He had an idea of incorporating some of Grafton’s musical history into the restaurant to make it a more interesting place to visit. (A Hard Rock style café concept with a Paramount Records theme.) He was learning more and more about Paramount/NYRL and had started collecting 78s and other memorabilia to incorporate into the restaurant. He read Alex van der Tuuk’s book on the history of Paramount. Krupski got excited about bringing Grafton’s heritage back in a venue that could also help educate the local population about an important part of their hometown history. His restaurant would definitely have a Paramount theme and to get the Village onboard, he needed to educate them on this wonderful history that was being ignored. He purchased more copies of van der Tuuk’s book and gave them to the Village President and Planner along with a CD set of all of the blues music recorded in Grafton by Paramount, as well as a full copy of his business plan. Since he was searching for capital to fund the restaurant, he also gave out copies of the book to local bankers. He approached the Grafton Chamber of Commerce where he was told that another person, Angela Mack, was e-mailing the Village asking them why they hadn’t done anything with their musical heritage and was insisting that they do something about it. He was given Angela’s phone number and e-mail address, but he did not contact her immediately due to so many other concerns regarding his business plan.
Finally, Krupski locked in an offer with the owner of the building and found funding to begin construction of the Paramount Restaurant. It was during the period of time that he officially approached the Village about doing the project was when he first met Angela Mack and her husband, Patrick. As they talked about the Paramount Records history, they knew the Village was starting to also have their share of thoughts on the Paramount concept since the Village officials had always fielded complaints that “Grafton doesn’t have a theme like Cedarburg or Port Washington.”
While Krupski was pushing forward with his Paramount-themed restaurant concept, Angela connected the Grafton Area Live Arts (GALA) to bring an “Embrace the Legacy” concert series to the GALA concert hall venue. The concert series would focus on performers who could educate on Paramount history and perform songs recorded by Paramount artists. She approached Scott Oftedahl, former Grafton High School band director and current principal of Kennedy Elementary School, about bringing a blues educator to Grafton to raise the awareness of school children regarding the history of blues music and Grafton’s blues legacy. Oftedahl was more than receptive to the idea. While Angela made arrangements with GALA for the first “Embracing The Legacy” concert, Oftedahl organized plans for a combined blues education presentation/concert for all of Grafton’s elementary school children. Over 500 elementary students would be bussed to the high school auditorium for the one-hour morning blues presentation/concert on Sept. 30th, 2005. In the afternoon, the 4th grade students at Oftedahl’s Kennedy Elementary School would have a private one-hour session with the blues educator. The concert at the GALA venue would be that same evening. A Paramount history discussion panel was scheduled for Oct. 30th at the Cedarburg Arts Council.  Participants in the panel discussion would include Paramount historian, van der Tuuk, and other knowledgeable Paramount Records devotees.
I was pleasantly surprised and most grateful when Angela Mack and school Principal, Scott Oftehdahl, requested that I participate in their plans by being the blues educational presenter, as well as the performer for the first GALA “Embracing The Legacy” concert. I eagerly anticipated my visit to Grafton, the school presentation, the concert, and to visiting the Paramount historic site.
Steve Ostermann of the local Ozaukee Press staff did a superb job of publicizing all of the Paramount ‘resurrection’ efforts, including covering my visit to Grafton. “Michael “Hawkeye” Herman had Grafton school kids bouncing in their seats. In between the boogie beat, he also taught them a few things about the blues — the profound influence it has had on music they listen to every day and the vehicle it offers for expressing their emotions. Herman’s hour-long program drew praise from students, parents and educators alike. Scott Oftedahl, Kennedy Elementary School principal, said Herman’s appearance introduced students to historically important American music and showed them how relevant it remains today. We’re very fortunate to have him come here.”
The evening GALA concert was a sell out. The audience was superb. During the concert I explained to the crowd, “Grafton and Paramount Records are responsible for much of the American blues music that came out of the 1920s and 1930s. You have a great opportunity here to show people what this history is and why it’s so important. It’s not only important for students to learn about, it’s important for the community to realize what they have. You have a sleeping giant, and it’s finally starting to wake up.” An enthusiastic full house of local residents showed up at the Cedarburg Cultural Center the following day for the afternoon Paramount panel discussion.
At about this time, local Jaycees members, Kris Marshall, Ellen Zacharias, and Peter Raymond were instrumental in founding a blues society. The group used the “Let’s Get Started/How To Create A Blues Society,” article that appeared in the 2005 issue of the Blues Festival Guide as an aid in founding the Grafton Blues Association. They immediately undertook responsibility for producing the first annual Paramount Blues Festival in cooperation with the Grafton Area Jaycees. The festival will be held on Sept. 23rd, 2006 at Lime Kiln Park, in Grafton. Marshall and her committee have pulled out all the stops in planning the all day event. The festival will feature nationally recognized blues artists and local bands, including: Albert Cummings, Nora Jean Bruso, Hawkeye Herman, David Evans and Joe Filisko, Reverend Raven and the Chain Smoking Altar Boys, and The Steve Cohen Blues Band with Greg Koch. Educational workshops will be presented by well known blues historian/author Gayle Dean Wardlow, and fellow historian/musicians, David Evans and Joe Filisko. Alex van der Tuuk will be on hand to sign copies of his book and discuss the history of Paramount Records.
Angela and Patrick Mack, Jim Brunquell, Joe Krupski, Melissa Schmitz, and others, founded GIG (Grooves In Grafton), to further support and retain the history of all of the genres of music that Paramount recorded in Grafton. GIGS will present exhibits, park history displays, and educational programs “to educate, increase the awareness of, and preserve the music recorded and pressed in Grafton, Wisconsin by the New York Recording Laboratories.”
Grafton city officials, including Village President Brunquell, had been planning to spur development in the center of downtown by providing tax-incentive financing packages to businesses locating in the downtown area. They already had their eyes on plans for the construction of a downtown plaza which would help bring people back to the area. With the newfound interest in Paramount and the possibility of the Paramount-themed restaurant going in, city officials embraced the Paramount concept for the downtown Paramount Plaza. Paramount Plaza will include a saxophone-shaped fountain spewing water from the horn, and sidewalk decor inlayed to resemble piano keys that will create a Paramount Recording Artists’ Walk Of Fame, featuring the names of artists who recorded in Grafton and the approximate recording date.
Joe Krupski is in the midst of refurbishing the old courthouse building, near the future Paramount Plaza, into The Paramount Restaurant. The building was the Bienlein Hotel in the 1920s where Paramount’s artists may have stayed the night while recording in Grafton. Krupski hopes to have the restaurant up and running before the Sept. 23rd date of the Paramount Blues Festival.
Beginning March 1, 2006, the Ozaukee Bank in Grafton, a major sponsor for the Paramount Blues Festival, will host monthly exhibits presented by Grooves In Grafton (GIG) to enhance visibility for the festival and inform the community about their Paramount Records heritage. The fire of interest in local history and Paramount Records is now lit and beginning to grow. People are excited that Grafton is, at long last, getting an identity and has something to be proud of. Local folks are coming forward begging to get involved. They are excited about the opportunity to participate in something bigger than themselves that educates, entertains, and brings a sense of identity and pride to the community.
The efforts of numerous individuals interested in educating the town about their unique contribution to America’s musical history opened the eyes of many others who immediately recognized the potential to build a theme for Grafton around this important legacy. Within the next year, the face of Grafton will dramatically change. Paramount’s long kept secret legacy will finally have its chance to shine. Coming out of anonymity, the town of Grafton is embracing this legacy and is now passionate about Paramount.
In the March 2 edition of the Ozaukee Press, Steve Ostermann reported, “When blues musician and educator, Michael “Hawkeye” Herman, came to Grafton last fall to perform at schools and in concert, he spoke to local residents about their community as “a sleeping giant.” ‘Grafton,’ Herman told his audiences, ‘has chance to acknowledge its place in American music history and let the rest of the world know about a rich legacy that has long been overlooked by the general public.’ Herman’s words–which echoed the sentiments of area educators who invited him to appear locally–have not fallen on deaf ears. Since his visit last September, a growing number of residents have embraced missions publicizing Grafton’s musical heritage. The result of their efforts is the formation of groups that are organizing a blues festival, park history displays, educational programs, and a variety of other activities they hope will teach, enlighten, and entertain. The collective goal, volunteers said, is to pay tribute to the Paramount blues artists and other musicians who recorded for the former Wisconsin Chair Co.’s music division.”
History, dreams, meaningful coincidences, timing, synchronicity, networking, and the blues, came together to transform a community. For information on Grafton’s Paramount Blues Festival:
http://www.graftonblues.org
For information on Paramount Records history:
http://www.paramountshome.org
Much thanks to Michael “Hawkeye” Herman and the Blues Festival Guide for allowing Ozaukee Talent to re-publish this article.  Angela Mack (now Angie Mack Reilly) can be reached at angie@ozaukeetalent.com